Baatarzorig Batjargal

Baatarzorig Batjargal draws on the techniques of Mongol Zurag painting to address the broader history of Mongolia’s development over the past century. The Zurag painting style first emerged during the Mongolian independence movement in the early 20th Century. Originally an art form to express the ideals of secular nationalism, today Batjargal has breathed new life into the medium. 

The preservation of Mongolia’s cultural heritage that is being lost through historical transformations is central to Baatarzorig Batjargal’s multi-disciplinary work. Mongolia has long experienced sustainable living and self-sufficiency being removed from the lures of capitalism by geographical remoteness and nomadic farming culture. Batjargal brings attention to his heritage through his work that merges traditional painting techniques, such as Mongol Zurag, with contemporary styles. This is where mythological and spiritual world of Mongolia is confronted with modern symbols of development.  

During a time of unprecedented urbanization, the artist addresses the contradictions of his own environment and its transformation from past to present. Panning through the repressions of Soviet style communism to the inequalities and consumerism of global capitalism, Batjargal offers narratives concerned with the loss of traditional heritage. In a rich tapestry of various regimes, the portraits in his recent series include gods, holy men, artists, intellectuals, warriors, noblemen, politicians and oligarchs.  

Batjargal studied Fine Arts at the Mongolian University of Arts and Culture in Ulaanbaatar where he resides. His had solo exhibitions in London at Jack Bell Gallery, in London, UK, and his group exhibitions include Contemporary Art of Mongolia (Hong Kong, 2019) and Asia Pacific Triennale at Queensland (Australia, 2018). His work is in the collection of the Minneapolis Institute of Art, USA.  

Batjargal lives and works in Ulaanbaatar, Mongolia and is married to artist Nomin Bold. 

Selected Works